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Excentra, as a concept, makes reference to a escape of the center. This has been the characteristic tension of the Art in history. The nature of the Art has been and is the creation, the innovation, the originality, the rupture, the transgression. The center represents the established, the conventional, therefore the creative force proposes the exploration in the margins of the already known territory. The center is constituted, by the pre-conceptions that we handle around of what the art is, and that the art itself takes care to reformulate, to transgress, to put at issue; in some way according with Joseph Kosuth: "...the art is the definition of the art..."

Fernando Martinez, Curator. URUGUAY : 19 - 25 september. Fragment

PERFORMANCE::

Electric Interface. Metaphor based on electromagnetics sensors

"Interface for a poem" is an electronic poem in real time on a multimedia interface. Projected and articulated by PERFORMANCE; a digital and virtual platform for an audiovisual poem. 
By this multimedia platform is possible to articulate sentences, verses and images; sounds or animations, bulding thus a not lineal narrative construction.

Interface for a Poem is an intent of multimedia approach to a poetic space that looks an interface to express the multi-layers of the mind and the memory when the verse arises.

PERFORMANCE AND SCREENSHOTS::

multimedia Program e-mula, It created for the work "Interface for a Poem" by Sara Malinarich.

CONCEPTOS Y CRÉDITOS::

Key concepts: virtualization, cyborg, interactiveness, immersiveness, not lineal constructions, cognition, technology, metaspace, interfase and metaphor.

Electronic interface development: Chistián Estay. "Chapanet"

Gratitudes: Humberto Nilo, Paulina Delgado, Ernesto Muñoz, Angélica Bustamante, editorial team www.sepiensa.cl, producing MARCAPERRO.

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